mission creep: noun. A gradual shift in objectives, often resulting in an unplanned long-term commitment
Tess and Liam are determined to get off the planet at any cost. On paper, they're the perfect applicants for Britain's intergalactic relocation project: they’re young, fertile, and their queerplatonic relationship might even pass for heterosexual bliss. All that’s left is to get past Mary and the interview…and if they have to do one or two extra things to impress the panel, isn’t it worth it to avoid the apocalypse?
MISSION CREEP was the winner of the audience vote for Best New Play and Best Performance in the 2018 Brighton Fringe Scratch Festival. After further workshopping with Unmasked Theatre, Mission Creep was fully staged by Controlled Chaos UK’s Paul Anthoney at the White Bear Theatre in October 2019. The production received an OffComm Award and a nomination for London Pub Theatre’s Standing Ovation Award.
Praise for Mission Creep:
‘Mission Creep shines in its nihilistic humor and its commentary on friendship and the queer experience… Bee Scott embracing two challenging genres (sci-fi and queer theatre) and pulling them off with humour and humanity.’ Sophia Halpin, TheatreBOX Blog
‘Paul Anthoney’s production is a finely calibrated comedy, fully embracing the ridiculousness that is sure to accompany the end of the world. An impressive exploration of some of the more neglected facets of queer identity then, and a refreshing change from the usual coming out narratives - recommended.’ Ian Foster, Ought to Be Clowns
‘Writer Bee Scott cleverly morphs comedy and science fiction with undertones of horror in this original and engaging play.
There's something compelling about witnessing characters telling lies and then being forced to deal with the ramifications as those lies spiral out of control. What works so well here is the fact that a myriad of themes are subtly explored in the midst of an already engaging premise. Examining integrity, personal identity, morals and survival, the play is brimming with ideas and social commentary - especially considering its short run time of just one hour.
There is a rich array of LGBTQ theatre on offer these days, but this certainly feels like new ground. Good theatre should both entertain and educate, and this succeeds on both counts, opening our eyes and offering a different perspective on the world. Mission Creep is a unique play that promises a bright and exciting future for its writer. Bee Scott is definitely one to watch out for.’ John Marshall, Broadway World Review